12.14.09

Yoga As Muse Reflections & FAQs

Posted in Yoga & Creativity at 9:28 am by admin

Writers at the Yoga As Muse Retreat in Taos, NM

It’s a precarious way of life, this writing from some place where “will” steps aside and something else altogether takes over. I don’t mean to imply that divine agency is afoot or that little daimons in my brain relay signals from my imagination to my hands, mere five-limbed workers that peck out the right combinations of keyboard keys while “I” just sit back and contemplate my grocery list.  I won’t blame “inspiration” or my hands for any dribble I write. Still, on the page, who’s in charge?

I don’t know, and in that not-knowing I derive endless pleasure from the writing process’s mystery. The mind writes its own song, and I hum the tunes and shape the melodies. A stranger in a waiting room speaks on her cell phone about her latest dating exploits, and three months later that voice becomes a character for a short story. A moment by a woodstove fire rattles something in the mind until the loose bits coalesce that night into a poem. But how do I or any writer shape those melodies or reveries or stories or poems? Like most writers I know and respect, I have had to find ways to get out of my own way. When I come to the page, I must let these hands orchestrate imagination’s symphony without merely taking “dictation.”

 

And for me, those out-of-the-way ways have been through yoga.

 

Yoga, as I practice it, is not an exercise – although it profoundly has improved my breathing, temperament, and immunity. It also is not a religion – although it enriches my spiritual life. For over ten years, yoga has afforded this overly analytical, overly serious, overly sedentary writer opportunities to renew his writing process.

 

And so this blog: On this blog, I’ll share some of my current experiences in engaging yoga as muse. I’m not the only one onto this path. I work with and stay in touch with thousands of writers throughout North America and around the world who likewise have discovered in yoga a timeless way to embody the creative impulse and spirit. I’ll connect you with some of them, and this blog will keep you posted the latest news and trends regarding yoga & creativity. Finally, because I work as an editor, mentor, and coach, I also will include posts related to those topics as well.

 

We’re not so different. Whether I am teaching in Greece, Nova Scotia, Taos, or the tiny farming hamlet in upstate New York where I live, I am struck by what we writers and artists hold in common. We yearn to write from that deep source regularly and not erratically – say, when some unreliable “muse,” like a bad boyfriend or girlfriend, just shows up out of the blue on your front door and asks to be let in. We yearn to feel vital as we write and that the words we wield have a verve and breath of their own. And we yearn to get out of the way of our own writing. When we get out of the way, we get into the way of flow.

 

For this posting, I want to answer some frequently asked questions related to Yoga As Muse.

 

WHAT IS YOGA?

I answer this question as a writer who came to yoga later but also as a writer who has completed two Yoga Teacher Trainings, traveled to South India to study with his primary teacher, who continues to study seminal yogic texts, and who has taught yoga in different venues. Yoga is a way to live more fully in this body, in this physical world; it is not an escape from nor abnegation of this world. This way includes a series of tools that when executed regularly and appropriately alter the patterns of mind, speech, and action. It hones concentration, awakens compassion, ignites imagination, builds discipline and discernment, and expands awareness. It is a practice of small liberations in this lifetime.

 

WHAT IS YOGA NOT?

It is not exercise although your body – especially if it’s aging like mine – will benefit. It is not a religion – although Hindus have appropriated some of its teachings and it can awaken that which you might call spiritual. It is not an excuse to feel pious or self-righteous or somehow better than people who do not practice yoga. Many of yoga’s tools, after all, aim to help us experience the break down of dualistic consciousness.

 

I am infinitely flawed and contradictory. I cuss at lunatic SUV drivers on the New Jersey Turnpike; I eat too much dark chocolate until my body crashes; and I have a gift not only for putting my foot behind my head but also squarely in my mouth. So, yoga is not about achieving moral or physical perfection.

 

WHAT IS YOGA AS MUSE?

Yoga as Muse is a term I use to describe the way I integrate yoga’s tools directly into my creative process. At the foundational level, I set writing intentions, engage the appropriate yogic tools for a writing intention, and write with a receptive, easeful state of mind and body.

 

I have learned what tools lasso my concentration, crack open my heart toward my characters, break my mind out of hard-edged conceptions, and lure images like fish to the surface. But the process is not mechanical. 

 

I have taught literature and creative writing courses at high schools and colleges for years, but I was frustrated by a key problem in how creative writing is – and often must be – taught in academia: A teacher or professor can teach craft, can point students toward model texts, can critique students’ writings, and in essence try to describe what works in the student and what does not work. But few writing teachers or professors have academic permission to teach students the how. When it comes to process, most writing pedagogy gets no further than the “pre-write, draft, re-vision, edit” stage or a few “creative exercises” that might include playing music or putting on goofy hats and writing as a caterpillar.

 

Yoga, when approached in the way I’m describing, helps writers become more aware of how their imaginations, intellects, and emotions work for or against their writing. From that faculty awareness follows craft awareness.

 

WHAT ARE YOGA AS MUSE TOOLS?

Yoga as Muse tools are the same as yoga’s tools. Physical postures both shift physical energy as well as alter the mind’s point of awareness and degree of awareness. Yoga offers numerous breathing tools that can elevate alertness and energy, calm the nervous system, and stimulate the imagination and unconscious.  Meditation tools increase writers’ awareness of their mind’s margins and percolating unconscious. Chanting tools can awaken writers’ inner ear for musicality, rhythm, and voice.  Philosophy tools and daily practice tools help writers live the writing life – from drafting to publishing – without losing their center.

 

DOESN’T THIS HYBRIDIZATION CHEAPEN YOGA’S SACREDNESS & PURITY?

No. Here are three reasons why not.

#1: Yoga is adaptive and dynamic, not static.  A quick study of yoga’s history of Yoga betrays that “Yoga” refers to numerous practices all aimed either toward liberation or peace. There is meditation yoga (raja yoga), the yoga of selfless service (karma yoga), the yoga of chanting (bhakti yoga), and the yoga of physical transformation and transmutation (hatha yoga) to name a few. Within hatha yoga alone, literally hundreds of traditions have sprouted, and the teachers for centuries have learned from one another and adapted their teachings accordingly. The teaching of yoga has always been adapted to and changed according to students’ time, place, and needs. Thousands of creative people in the 21st century need a clear way to embody their creative process.

#2: Yogis have drawn from their practices to write and to create for centuries.  Numerous yogic texts are said to have been “revealed” to their authors. Without recourse to the reductive terms of Western psychology, how else would you describe that luminous state of awareness that yoga and meditation can bring a writer to? Bhakti yoginis such as Mirabai found direct inspiration for their poetry in their devotional practices. More contemporary yogis such as Sri Aurobindo felt that creativity was our evolutionary gift. In this sense, Yoga As Muse is as ancient as the first chant.

#3: “Tools” are a seminal aspect of almost all yogic and Buddhist traditions.  Yoga and Buddhism attract contemporary Westerners in part because of the endless teaching tools these traditions’ teachers have at their disposal. These tools are called upaya in Sanskrit, which translates loosely to “skillful means.” Yoga As Muse draws upon many of these same tools with the aim of creative liberation (not perfection).

 

WHAT IF I DON’T HAVE TWO HOURS OR $15 A DAY FOR A YOGA CLASS?

My teacher Sri TKV Desikachar liberated me from feeling obligated to practice yoga 90 minutes to two hours a day. “20 to 30 minutes a day,” he would say, “is much better than two hours once a week.” The same is true for writing. The body and mind need daily tending; so, too, does the imagination’s and unconscious’s bidding. Ideally, you can visit your yoga teacher once or more a week for guidance and deepening, but Yoga As Muse can be practiced at your own home and woven into your daily life’s fabric. I know numerous writers who have written books 20 minutes at a time.

 

That’s enough to pique your curiosity, I hope.  Send me questions to jeffdavis@centertopage.com, or visit www.centertopage.com to learn more.

 

In upcoming entries, I’ll share with you how Yoga As Muse helped me write a short story, yoga session after yoga session; how yoga helps me and others write into the truth; and much, much more.

 

The best in me reaching out to the best in you,

 

Jeffrey

 

 

 


12.03.09

Yoga As Muser To Publish Children’s Series

Posted in News at 2:26 pm by admin

Cindy Anne Dgsp_logo.gifuncan received a yogic bolt to her writing life following a Yoga As Muse retreat in 2008. Soon after, she received a regular writing gig and now has landed a publisher - Good Sound Publishing - for her Grace Anne children’s book series. The first one should come out in 2010. Congratulations, Cindy.

 

Department of Mad Scientists

Posted in News at 2:21 pm by admin

JournaDepartment of Mad Scientistslist and Yoga As Muser Michael Belfiore’s latest book The Department of Mad Scientists has just come out (Smithsonian Books/Harper Collins). It promises to offer engaging stories about a little-known department of Pentagon scientists who have invented the Internet, the bionic arm, and some impressive solar technology.  If Michael’s previous book Rocketeers is any indication, this book will include his signature capacity to feature the personalities, dreams, and antics of some otherwise overlooked people who wield powerful influence over our world of gadgets.

 

When are you a writer?

Posted in Coaching, Mentoring, Editing at 2:17 pm by admin

A client recently sent me this quotation from Junot Diaz:

“Because, in truth, I didn’t become a writer the first time I put pen to paper or when I finished my first book (easy) or my second one (hard). You see, in my view a writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway. Wasn’t until that night when I was faced with all those lousy pages that I realized, really realized, what it was exactly that I am.” 

We writers - aspiring writers and veteran writers - often must check in with our great expectations. We expect our first manuscript to be instantly picked up by an agent, editor, or publisher. We expect to reach best-seller status instantly. We expect Larry King and Oprah to ring. Write. Write without expectation. Write because you must, because you cannot not write. Because it is your responsibility to listen to that great small voice within as much as it is your responsibility to lull your babe to sleep and change her diapers and soothe her back to sleep at 3:12 am.

Shall I list all the stories of the Herman Melvilles and Stephen Kings and Junot Diazes who persevered despite receiving little or no recognition for years? Or the stories of writers who never received recognition? Or the stories of writers who received early accolades in their writing career and of whom now most of us have never heard?

I get to the mat because I have to. I get to the page likewise.

You?

Newborn Concentration

Posted in Uncategorized, Yoga & Creativity at 1:47 pm by admin

Dahlia and Jeffrey


I’ve had problems with concentration for years. Not a good thing for a writer. So as a former ADD candidate, I’ve explored ways that yoga aids my and other writers’ concentration. Only recently have I experienced concentration in a deeper way. Call it “newborn concentration.”

 

 I’m fascinated that neuroscientists have been able to measure the brain wave of concentration for over thirty years (although yogis have experienced it for thousands of years). So, for instance, when most of us are chatting on a Blackberry while checking our daily planner and eating a panini sandwich, the brain waves in our frontal lobes would probably look like sharp jags on an EEG, bouncing at a rapid 13-36 oscillations a second. These busy brain waves are called beta brain waves.  

 

What happens when yogis harness their breath and meditate? Brain waves in the frontal lobes of many of them slow down by half or more to a cool 6-13 oscillations a second. Alpha brain waves they’re called, and they mirror a brain on concentration.

 

 Woe to us who live in the world of Twitter and Blackberries, right?

 

Consider another study whose results have long held my envy. In this study, scientists dipped a subject’s fingers into a glass of cold water or made loud clacking noises to monitor any shifts in the frontal lobes’ brain wave patterns. They didn’t shift. Or if they did, not by much.

 

In other words, these yogis can concentrate even when the phone rings or the dish clings.

 

That capacity has eluded me. For years, I tried to shut out all external distractions. I moved to quieter regions of Woodstock, NY, and then further away from Woodstock where I thought the only sounds I might hear would be a pileated woodpecker kissing a willow. So when I prepared to practice, I would ask my wife not to make any noise. Closed my door and proceeded with my Yoga As Muse practice to focus on a piece of writing.

 

The problem? The slightest sound – a dish clanging in the sink, a neighbor’s leaf blower – threw off my concentration, and I’d become an agitated nutjob.  I remember my first wife saying, “I just wonder what kind of spiritual practice you have that makes you so irritable.” I’m sure any alphas I mustered quickly jagged to betas.

 

But for several years, I have worked with a more inclusive form of meditation. Whereas Patanjali’s Yoga-Sutras encourage practitioners to withdraw from their senses and to shut out external stimuli in order to concentrate, the Tantric Kashmir Shaivism – and the text the Siva-Sutras – encourage practitioners to include random external stimuli as part and parcel of their meditation. The leaf blower becomes part of my focus – or it becomes the background to whatever my imagination centers on that morning for my writing. It’s not unlike my practice with zazen, or Zen meditation.

 

Dahlia, my five-month-old daughter, has become my glass of cold water. On most mornings, I now get her up early and let her mother sleep in. I hold her in my arms while I make a cup of tea and then bring her into my study and place her in her favorite “giraffe chair.” She watches as I light incense and situate myself on the mat. I then glide through a sequence I designed years ago – my writer’s concentration sequence. She gazes or crunches up her plastic baby “book” or gurgles or groans. I may be in a forward bend, my inner witness honing in on refining an idea for an essay or story, the contour of a character’s face just coming into the light of my imagination, and – then – Dahlia’s groans start amping up a notch or two.

 

I don’t ignore the babe or try to tune her out (woe to me if I did). I pop up, check on her, smile at her, say a few words of assurance, hand her a toy, and, once she seems satisfied, return to my forward bend – all without agitation. Who knows? The texture of her gurgle or the morning light across her pink cheek might find its way into a piece of writing some day.

 

Without agitation. That’s a key to this layer of creative concentration. I receive the sudden clack instead of blocking it. It’s an addition instead of an interruption.

 

I know that as Dahlia reaches the toddler stage, I’ll have a baby downward dog running barking beneath me on the mat, but Yoga As Muse for me is about discovering how to play with the world’s surprises and weave them right into my creative process.

 

As an old writer and a new papa, I’m trying to ride this (alpha) wave of concentration in a fresh way. Call it “newborn concentration.”

 

Peace,

Jeffrey

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